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So keep a shine on the veneer. The play is set during the Christmas holidays, where Nora and her husband Torvald are celebrating his new banking job. But dark shadows loom. But when Torvald learns of her deception, his shocking reaction sets her on a liberating voyage of self-discovery.
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Well, Doctor Rank, it issomething you must help me to prevent. You know how devotedly, howinexpressibly deeply Torvald loves me; he would never for a momenthesitate to give his life for me. —if only this obstinate little person can gether way! Do you suppose I am going to make myself ridiculous before mywhole staff, to let people think that I am a man to be swayed by allsorts of outside influence? I should very soon feel the consequences ofit, I can tell you. And besides, there is one thing that makes it quiteimpossible for me to have Krogstad in the bank as long as I am manager.
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HELMER.It seems most commonly to be the mother’s influence, though naturally abad father’s would have the same result. Every lawyer is familiar withthe fact. Come, come, what isthis? There now, that’s settled.
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Theatre review: A Doll's House Part 2 dives adeptly into heady musings on marriage and independence — Stir - Stir
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Kristine tells Krogstad that she only married her husband because she had no other means to support her sick mother and young siblings and that she has returned to offer him her love again. She believes that he would not have stooped to unethical behavior if he had not been devastated by her abandonment and in dire financial straits. Krogstad changes his mind and offers to take back his letter from Torvald.
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(Pulls her down on the sofa beside her.)Now I will show you that I too have something to be proud and glad of.It was I who saved Torvald's life. Nora (tosses her head and crosses the stage). You oughtnot to be so superior. Just leave it to me; I will broach thesubject very cleverly—I will think of something that will please himvery much.
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KROGSTAD.Only to see how you were, Mrs Helmer. I have been thinking about you all daylong. A mere cashier, a quill-driver, a—well, a man like me—even hehas a little of what is called feeling, you know. NORA.Yes—you see there are some people one loves best, and others whom onewould almost always rather have as companions.
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NURSE.At last I have found the box with the fancy dress. NORA.It was impossible; papa was so ill. KROGSTAD.The matter never came into court; but every way seemed to be closed to me afterthat. So I took to the business that you know of. I had to do something; and,honestly, I don’t think I’ve been one of the worst. But now I mustcut myself free from all that.
Act 3 - A Doll's House - Henrik Ibsen
(Puts a macaroon into his mouth.) You must have onetoo, Christine. And I shall have one, just a little one—or at most two.(Walking about.) I am tremendously happy. There is just one thingin the world now that I should dearly love to do.
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See,here is your ring back. Rank (after a short silence). When I am sitting here,talking to you as intimately as this, I cannot imagine for a moment whatwould have become of me if I had never come into this house. She has only come to sew my dress for me. Bless my soul,how unreasonable you are! (Sits down on the sofa.) Be nice now,Doctor Rank, and to-morrow you will see how beautifully I shall dance,and you can imagine I am doing it all for you—and for Torvald too, ofcourse.
Because such an atmosphere of lies infects and poisonsthe whole life of a home. Each breath the children take in such a houseis full of the germs of evil. The matter never came into court; but every way seemedto be closed to me after that. So I took to the business that you knowof. I had to do something; and, honestly, don't think I've been one ofthe worst. But now I must cut myself free from all that.
But I knew him whenwe were boys. It was one of those rash friendships that so often provean incubus in after life. I may as well tell you plainly, we were onceon very intimate terms with one another. But this tactless fellow laysno restraint upon himself when other people are present. On thecontrary, he thinks it gives him the right to adopt a familiar tone withme, and every minute it is "I say, Helmer, old fellow!" and that sort ofthing.
However, the harder Nora tries, the angrier Torvald gets, and he eventually decides to send Krogstad’s notice immediately. NORA.I assure you, Torvald, that is not an easy question to answer. The thing perplexes me altogether. I only know that you and Ilook at it in quite a different light.
Your mind was so taken up with your husband's illness, andyou were so anxious to get the money for your journey, that you seem tohave paid no attention to the conditions of our bargain. Therefore itwill not be amiss if I remind you of them. Now, I promised to get themoney on the security of a bond which I drew up. Oh, I have known your husband from our student days.
“And in fact when Nora leaves the house at the end of the play, she absolutely would have known she had no legal recourse to get her kids. None,” Coleman said. Largely self-educated, Ibsen failed the university entrance examination to pursue medical training and instead pursued a career in the theater. Ibsen would transform the conventions of the well-made play into the modern problem play, exploring controversial social and human questions that had never before been dramatized. The play opens on Christmas Eve. Nora Helmer has returned home from doing the Christmas shopping.
If only he does not—. (Listens again.) Ah, therehe is. (Goes into the hall and opens the outer door carefully. Lightfootsteps are heard on the stairs. She whispers.) Come in. There isno one here.
MRS LINDE.Well, I had to turn my hand to anything I could find—first a small shop,then a small school, and so on. The last three years have seemed like one longworking-day, with no rest. Now it is at an end, Nora. My poor mother needs meno more, for she is gone; and the boys do not need me either; they have gotsituations and can shift for themselves. NORA.So you are quite alone.
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